13 results
Of the Presence of the Body: Essays on Dance and Performance Theory. Edited by André Lepecki. Middletown, CT.: Wesleyan University Press, 2004. Pp. vii + 184. $65HB; $24.95 Pb
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- Theatre Research International / Volume 30 / Issue 3 / October 2005
- Published online by Cambridge University Press:
- 10 November 2005, pp. 309-310
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- October 2005
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Making an Entrance: Theory and Practice for Disabled and Non-Disabled Dancers. By Adam Benjamin. London: Routledge, 2002. Pp. vii + 255 + illus. £14.99 Pb
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- Theatre Research International / Volume 28 / Issue 2 / July 2003
- Published online by Cambridge University Press:
- 26 June 2003, pp. 222-223
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- July 2003
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Dances that Describe Themselves: The Improvised Choreography of Richard Bull. By Susan Leigh Foster. Middletown, CT: Wesleyan University Press, 2002. Pp. vii + 334 + illus. $65Hb; $19.95 Pb
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- Theatre Research International / Volume 28 / Issue 2 / July 2003
- Published online by Cambridge University Press:
- 26 June 2003, pp. 221-222
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- July 2003
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The Cultivation of Body and Mind in Nineteenth-Century Delsartism. By Nancy Lee Chalfa Ruyter. Westport: Greenwood Press, 1999. Pp. ix +152 + illus. $55 Hb.
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- Theatre Research International / Volume 27 / Issue 3 / October 2002
- Published online by Cambridge University Press:
- 09 October 2002, pp. 306-313
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- October 2002
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The Moving Body: Teaching Creative Theatre. By Jacques Lecoq, with Jean-Gabriel Carasso and Jean-Claude Lallias. Translated by David Bradby with a foreword by Simon McBurney. London: Methuen, 2000. Pp. ix + 169. £14.99 Hb.
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- Theatre Research International / Volume 27 / Issue 1 / March 2002
- Published online by Cambridge University Press:
- 14 February 2002, pp. 97-119
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- March 2002
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Researching Dance. Edited by Sondra Horton Fraleigh and Penelope Hanstein. London: Dance Books, 1999. Pp. v + 368. £15 Pb. Dancing Texts: Intertextuality in Interpretation. Edited by Janet Adshead-Landale. London: Dance Books, 1999. Pp. v + 255. £15 Pb.
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- Theatre Research International / Volume 26 / Issue 3 / October 2001
- Published online by Cambridge University Press:
- 10 October 2001, pp. 294-315
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- October 2001
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Bodies, Rest, and Motion: from Cosmic Dance to Biodance
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- New Theatre Quarterly / Volume 16 / Issue 3 / August 2000
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- 15 January 2009, pp. 211-218
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- August 2000
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Dancing Women: Female Bodies on Stage. By Sally Banes. London & New York: Routledge, 1998. Pp. vii + 279 + illus. £16.99 Pb.
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- Theatre Research International / Volume 25 / Issue 2 / Summer 2000
- Published online by Cambridge University Press:
- 23 January 2009, pp. 207-208
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- Summer 2000
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D.C. Dances on the Millennium Stage
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- Dance Research Journal / Volume 32 / Issue 2 / Winter 2000
- Published online by Cambridge University Press:
- 22 July 2014, pp. 144-147
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- Winter 2000
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Body Ascendant: Modernism and the Physical Imperative. By Harold B. Segel. Baltimore & London: The Johns Hopkins University Press, 1998. Pp. i + 282 + illus. $35.95 Hb.
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- Theatre Research International / Volume 24 / Issue 3 / Autumn 1999
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- 23 January 2009, p. 296
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- Autumn 1999
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Choreographing Difference: The Body and Identity in Contemporary Dance. By Ann Cooper Albright. Hanover: University Press of New England, 1997. Pp. xxviii + 216 + illus. $45 Hb; $19.95 Pb.
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- Theatre Research International / Volume 23 / Issue 2 / Summer 1998
- Published online by Cambridge University Press:
- 23 January 2009, pp. 194-195
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- Summer 1998
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Complex Theatre: Science and Myth in Three Contemporary Performances
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- New Theatre Quarterly / Volume 14 / Issue 54 / May 1998
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- 15 January 2009, pp. 151-158
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- May 1998
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The Starfish and the Strange Attractor: Myth, Science, and Theatre as Laboratory in Maria Irene Fornes' ‘Mud’
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- New Theatre Quarterly / Volume 13 / Issue 51 / August 1997
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- 15 January 2009, pp. 214-220
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- August 1997
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